ABS-CBN Film Restoration Project
ABS-CBN Film Restoration Project or also known as Sagip Pelikula, was a digital film restoration project of ABS-CBN Corporation in partnership with Central Digital Lab. The project is headed by Leo Katigbak of ABS-CBN Film Archives and Manet Dayrit of Central Digital Lab. The goal of the project is to digitally restore and remaster select Filipino films from the archives of ABS-CBN. Since the beginning of the project in 2011, the project has successfully digitized, restored, and remastered over one hundred Filipino films into a 1080p or 2K Digital Cinema Package format with a maximum resolution of 2048x1080 pixels at 24 frames per second. These films have been released through a wide array of platforms including limited theatrical runs, film festivals, free-to-air and cable television, DVDs, pay per view, and over-the-top content platforms such as iTunes.[1] All of the restoration process are done by Central Digital Lab in the Philippines with the exception of Kakabakaba Ka Ba? and Tatlong Taong Walang Diyos which were commissioned by ABS-CBN to be restored abroad by L’Immagine Ritrovata in Bologna, Italy and was supervised by Davide Pozzi. All copyrights to the films restored and remastered are owned in perpetuity by ABS-CBN Corporation.[2]
| Established | 2011 |
|---|---|
| Chair | Leo Katigbak |
| Address | ELJ Communications Center, Eugenio Lopez Drive, Diliman, Quezon City |
| Location | Philippines |
| Dissolved | August 31, 2020 |
On August 31, 2020, the film restoration project unit ceased its operations as part of the retrenchment by the company after its new legislative franchise for the company's broadcasting operations was denied by the House of Representatives.[3][4][5][6]
Restoration process
The first stage of the process is the scanning of the film negatives or prints into a digital picture and sound raw format. Depending on the film's condition, it may undergo a physical cleaning before the scanning could begin. The scanned materials will then undergo an automated and a painstaking frame by frame digital restoration process. The process involves the digital removal of dirt, scratches, fingerprints, discolorations, molds, tape marks, and other damages in the scanned materials. The process also involves the correction of color, brightness, and contrast into its original form often consulting the original cinematographers of each films whenever possible. Subtitles and watermarks, if present, are also removed in the process. The process also involves the restoration and remastering of sound. This involves the syncing of sound to the picture and the removal of unnecessary noises such as eradicate pops and whistles. Extreme measures were also done to remove copyrighted songs from some films. Dozens of technicians, engineers, and artists work hundreds of hours for each film with restoration cost ranging anywhere between twenty-five thousand pesos and ten million pesos per film.[7][8]
List of notable films restored
| Title | Director | Year | Video restoration facility | |
|---|---|---|---|---|
| Year released | Year restored | |||
| Himala | Ishmael Bernal | 1982 | 2012 | Central Digital Lab Inc. (Makati City, Metro Manila) |
| Home Along Da Riles: The Movie | Johnny Manahan | 1993 | ||
| Oro, Plata, Mata | Peque Gallaga | 1982 | 2013 | |
| Ganito Kami Noon, Paano Kayo Ngayon | Eddie Romero | 1976 | ||
| Nagalit ang Buwan sa Haba ng Gabi | Danny L. Zialcita | 1983 | ||
| Hindi Nahahati ang Langit | Mike De Leon | 1985 | 2014 | |
| Milan | Olivia M. Lamasan | 2004 | ||
| Kapag Langit ang Humatol | Laurice Guillen | 1990 | ||
| Madrasta | Olivia M. Lamasan | 1996 | 2015 | |
| T-Bird at Ako | Danny L. Zialcita | 1982 | ||
| Tanging Yaman | Laurice Guillen | 2000 | ||
| Bagong Buwan | Marilou Diaz-Abaya | 2001 | ||
| Bata, Bata… Pa'no Ka Ginawa? | Chito Roño | 1998 | ||
| Dekada '70 | 2002 | |||
| Sarah, Ang Munting Prinsesa | Romy V. Suzara | 1995 | ||
| Maalaala Mo Kaya: The Movie | Olivia M. Lamasan | 1994 | ||
| Nagsimula sa Puso | Mel Chionglo | 1990 | ||
| Sana Maulit Muli | Olivia M. Lamasan | 1995 | ||
| Pare Ko | Jose Javier Reyes | |||
| Kakabakaba Ka Ba? | Mike De Leon | 1980 | L'Immagine Ritrovata (Bologna, Italy) | |
| Karnal | Marilou Diaz-Abaya | 1983 | Central Digital Lab Inc. (Makati City, Metro Manila) | |
| Virgin People | Celso Ad. Castillo | 1984 | ||
| Ishmael Bernal | 1978 | |||
| Anak | Rory B. Quintos | 2000 | ||
| Mike De Leon | 1977 | 2016 | ||
| Lino Brocka | 1982 | |||
| Antonio Jose Perez | ||||
| Mario O'Hara | 1976 | L'Immagine Ritrovata (Bologna, Italy) | ||
| Peque Gallaga | 1996 | Central Digital Lab Inc. (Makati City, Metro Manila) | ||
| Laurice Guillen | 1980 | |||
| Basta't Kasama Kita | Rory B. Quintos | 1995 | ||
| Jerry Lopez Sineneng | 1998 | 2017 | ||
| Carlos Siguion-Reyna | 1991 | |||
| Marilou Diaz-Abaya | 1982 | L'Immagine Ritrovata (Bologna, Italy) | ||
| Jose Javier Reyes | 1995 | Central Digital Lab Inc. (Makati City, Metro Manila) | ||
| Rory B. Quintos | 1996 | |||
| Romy V. Suzara | ||||
| Celso Ad. Castillo | 1975 | |||
| Gil Portes | 1981 | L'Immagine Ritrovata (Bologna, Italy) | ||
| Danny L. Zialcita | ||||
| 1980 | Central Digital Lab Inc. (Makati City, Metro Manila) | |||
| Don't Give Up on Us | Joyce Bernal | 2006 | ||
| Jose Javier Reyes | 1993 | 2018 | L'Immagine Ritrovata (Bologna, Italy/Hong Kong) | |
| Carlos Siguion-Reyna | 1992 | Central Digital Lab Inc. (Makati City, Metro Manila) | ||
| Romy V. Suzara | 1980 | L'Immagine Ritrovata (Bologna, Italy) | ||
| Gerardo de Leon | 1975 | Kantana Post-Production Co. Ltd. (Thailand) | ||
| Ishmael Bernal | 1976 | |||
| Jett C. Espiritu | 1985 | |||
| Frank Gray Jr. | 1977 | |||
| Lupita Aquino-Kashiwara | 1976 | |||
| Tony Y. Reyes | 1997 | Central Digital Lab Inc. (Makati City, Metro Manila) | ||
| Carlos Siguion-Reyna | 1993 | 2019 | ||
| Peque Gallaga | 1983 | Kantana Post-Production Co. Ltd. (Thailand) | ||
| Mario O'Hara & Romy Suzara | 1977 | Central Digital Lab Inc. (Makati City, Metro Manila) | ||
| Johnny Manahan | 1996 | |||
| Manuel Silos | 1959 | ABS-CBN Film Archives (Quezon City, Metro Manila) | ||
| Gregorio Fernandez | 1958 | |||
| Ishmael Bernal | 1977 | Kantana Post-Production Co. Ltd. (Thailand) | ||
| Abbo Q. dela Cruz | 1984 | Kantana Post-Production Co. Ltd. (Thailand and India) L'Immagine Ritrovata (Bologna, Italy) | ||
| Mario O'Hara | Kantana Post-Production Co. Ltd. (Thailand) | |||
| Eddie Romero | 1980 | FPJ Studios (Quezon City, Metro Manila) | ||
| Jose Wenceslao | 1973 | Kantana Post-Production Co. Ltd. (Thailand) | ||
| Rory B. Quintos | 2002 | 2020 | Central Digital Lab Inc. (Makati City, Metro Manila) | |
| Chito S. Roño | 1994 | |||
| Gil Portes | 2000 | |||
| Inagaw Mo ang Lahat sa Akin | Carlos Siguion-Reyna | 1995 | ||
| Ibong Adarna | Vicente Salumbides | 1941 | ABS-CBN Film Archives (Quezon City, Metro Manila) | |
| Badjao | Lamberto V. Avellana | 1957 | ||
| Anak Dalita | 1956 | |||
| Radio Romance | Jose Javier Reyes | 1996 | 2021 | Central Digital Lab Inc. (Makati City, Metro Manila) |
| Kung Mawawala Ka Pa | Jose Mari Avellana | 1993 | ||
| Tinimbang ang Langit | Danny L. Zialcita | 1982 | Kantana Post-Production Co. Ltd. (Thailand) | |
| Soltero | Pio De Castro III | 1984 | ||
| Prinsipe Teñoso | Gregorio Fernandez | 1954 | ABS-CBN Film Archives (Quezon City, Metro Manila) | |
| The Graduation | Luciano B. Carlos | 1969 | ||
| Hey Babe | Joyce Bernal | 1999 | Central Digital Lab Inc. (Makati City, Metro Manila) | |
| Paano Kita Iibigin | 2007 | |||
| Ang Pulubi at Ang Prinsesa | Jerry Lopez Sineneng | 1997 | ||
| Kasal, Kasali, Kasalo | Jose Javier Reyes | 2006 | ||
| Hanggang Kailan Kita Mamahalin | Olivia M. Lamasan | 1997 | ||
| Sandata at Pangako | F.H. Constantino | 1961 | ABS-CBN Film Archives (Quezon City, Metro Manila) | |
References
- Cruz, Marinel (14 April 2016). "Over 100 Filipino classic films restored". Inquirer.net.
- Don Jaucian (7 April 2017). "Rescuing the lost heritage of Philippine cinema". CNN Philippines. Archived from the original on 24 April 2017. Retrieved 23 April 2017.
- Avendaño, Christine O. (19 July 2020). "Final cut: Film 'rescue' unit among casualties of ABS-CBN shutdown". Inquirer.net. Philippine Daily Inquirer. Retrieved 8 August 2020.
- Cruz, Marinel (23 July 2020). "Devastating effects of ABS-CBN's Film Restoration and Archives group shutdown". Inquirer.net. Philippine Daily Inquirer. Retrieved 8 August 2020.
- Chua, Zsarlene B. (21 July 2020). "ABS-CBN Film Restoration unit to shut down". BusinessWorld. Retrieved 8 August 2020.
- Lago, Amanda T. (23 July 2020). "After ABS-CBN shutdown, 'Sagip Pelikula' faces uncertain future". Rappler. Retrieved 8 August 2020.
- San Diego Jr., Bayani (5 August 2012). "Restoring 'Himala' - ABS-CBN Archives teams up with Central Digital Lab to save Bernal classic; next, 'Oro, Plata, Mata". Inquirer.net.
- Aimee Dacanay (4 August 2017). "The Art and Science of Film Restoration and How It's Saving Philippine Cinema". Spot.ph.
External links
- 2013. Classic Filipino films restored by ABS CBN Film Archives: Restoring our Films, Saving our Heritage. IASA
- Carmela Barbaza (2014). ABS-CBN Film Archives lists contributions for WDAVH 2014. SEAPAVAA
- Tessa Mauricio-Arriola (20 August 2015). Immortalizing Philippine cinematic classics. The Manila Times
- Don Jaucian (7 Apr 2017). Rescuing the lost heritage of Philippine cinema. CNN Philippines