Emanuel Ungaro
Emanuel Ungaro (13 February 1933 – 21 December 2019) was a French fashion designer who founded the eponymous fashion house in 1965.[2]
Emanuel Ungaro | |
|---|---|
![]() Emanuel Ungaro in 2009 | |
| Born | 13 February 1933[1] Aix-en-Provence, France[1] |
| Died | 21 December 2019 (aged 86) Paris, France |
Label(s) | House of Emanuel Ungaro |
| Awards | Legion D'honneur |
| Website | www.ungaro.com |
Early life
Ungaro's Italian father fled to France from Francavilla Fontana of Brindisi province because of the fascist dictatorship in Italy. Ungaro's father was a tailor and he gave his son a sewing machine when he was young.[1]
The House of Emanuel Ungaro
At the age of 22, Ungaro moved to Paris. Three years later he began designing for the House of Cristóbal Balenciaga[2] for three years before quitting to work for Courrèges. Four years later, in 1965 with the assistance of Swiss artist Sonja Knapp and Elena Bruna Fassio, Ungaro opened his own fashion house in Paris.
During the mid- to late sixties, Ungaro was known as one of the Space Age designers, along with Andre Courrèges, Pierre Cardin, Paco Rabanne, Rudi Gernreich, Jean-Marie Armand, and Diana Dew, creating ultra-modern, futuristic clothing of stark simplicity consisting of flaring, mini-length garments of geometric shape in double-faced wools, synthetics, plastics, and metals worn with high boots, helmets, visors, and chrome and plastic jewelry.[3][4][5][6]
Ungaro launched his first menswear collection, Ungaro Uomo, in 1973, and his first perfume, Diva, 10 years later in 1983. Ungaro was a participant in The Battle of Versailles Fashion Show held on 28 November 1973. Later followed the perfumes Senso (1987), Ungaro (1991) and Emanuel Ungaro For Men (1991). In 1996, he formed a partnership with Salvatore Ferragamo.[2][7] In 1997, Ungaro, Ferragamo and Bulgari created a new company: Emanuel Ungaro Parfums. The new perfumes to follow were Fleur de Diva (1997), Desnuda (2001) and Apparition (2004).
In the late 1970s, fashion journalist Michael Roberts, when opening a Sunday column in The Times, said "Emanuel Ungaro has a great charm. He wears it around his neck."[8]
During the 1980s, Ungaro entered perhaps his most influential period, as he interpreted the era's aggressive, broad-shouldered silhouette[9] with shirring, ruching, and draping to create a voluptuous, very feminine, even coquettish look that was highly popular with the public.[10][11][12][13][14]
In 2005, Ungaro retired and sold the label to internet entrepreneur Asim Abdullah for US$84 million.[1][15][2]
After the sale, the label languished with a revolving door of designers, the last of which, Esteban Cortazar, who was appointed in 2007, was fired two years later after his refusal to work with actress Lindsay Lohan. Subsequently, Lohan was appointed Artistic Director, working with new head designer Estrella Archs, who was hired hastily to replace Cortazar. The introduction of Lohan, which was meant to give the label publicity, was received with shock and dismay in Paris Fashion Week 2009.[16] In 2010, during Paris Fashion Week, Lindsay Lohan announced that she was no longer working for or with Ungaro, and that she could not comment on the matter because of legal issues. Her work was heavily criticized[17] and soon after the fashion house was looking for a buyer.[18]
In 2009, the label had sales of about $200 million from fragrance and less-expensive lines sold in Asia, but the runway collection has been losing money for years.[16] In April 2010, it was announced that Archs had been dismissed and British designer Giles Deacon would be taking over as creative director.[15][19]
In 2012, the Italian company Aeffe took over the production and distribution of Ungaro products.[20] In September 2012, Fausto Puglisi was named creative director of Ungaro, and the brand announced its comeback to the Paris Fashion Week.[21] In 2015, Ungaro launched a smart ring that, connected to a phone, dimly lights up when a selected few contacts call.[22] In March 2017, Fausto Puglisi was replaced by Marco Colagrossi (formerly women's wear at Giorgio Armani) as creative director of Ungaro.[23]
Fragrance
In 2008, Avon and Emanuel Ungaro collaborated to launch a new duo of fragrances, U by Ungaro for Her and U by Ungaro for Him. Actress Reese Witherspoon served as the scents' spokeswoman.
- Avon U by Ungaro For Her was developed by perfumers Jean Marc Chaillan and Loc Dong, and the "fresh, woody floral" includes notes of bergamot blossom, freesia, pepper blossom, acacia aura, lotus flower, osmanthus, iris, sandalwood and musk.
- Avon U by Ungaro For Him was developed by Yves Cassar and Pascal Gaurin, and the "woody aromatic watery blend" features green mandarin leaf, ruby red grapefruit, pomegranate, immortelle, cardamom, cedar leaf, vetiver, patchouli, sandalwood, tonka bean and Balsam of Peru.
Personal life
In 1988, Ungaro married Laura Bernabei. He has a daughter, Cosima Ungaro, born in Neuilly, but her birthdate has been kept a secret.[24][25]
References
- Milligan, Lauren (19 April 2010). "Emanuel Ungaro Biography". Vogue. Condé Nast Publications. Archived from the original on 18 July 2010. Retrieved 16 June 2010.
- Brown, Mark (22 December 2019). "French fashion designer Emanuel Ungaro dies aged 86". The Guardian. Retrieved 29 December 2019.
- Morris, Bernadine (24 July 1970). "Saint Laurent, Ungaro and Dior: Many Styles, No New Look". The New York Times: 37. Retrieved 4 December 2021.
Emanuel Ungaro...advocate of clean-cut tailoring and space-age fashions...
- Howell, Georgina (1978). "1967-68". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. pp. 298–299. ISBN 0-14-00-4955-X.
Ungaro...with 'another leap into space' – Here, his yolk yellow canvas coat, blue pleat dress, and thigh-high Vinyl boots.
- Mulvagh, Jane (1988). "1957-1967". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 242. ISBN 0-670-80172-0.
The face was the key to the fashionable look: be it...the false eyelashes, silver metallic wig and frosted pink lips of Corrèges's or Ungaro's space girl...
- Mulvagh, Jane (1988). "1967". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 295. ISBN 0-670-80172-0.
...Courrèges, Rabanne and Ungaro...refused to give up the long-legged, short-skirted mode.
- Amy Barrett, Ferragamo's Expansion Will Test Family Values, Wsj.com, 10 July 1997
- Willian Norwich, Michael Roberts, Author of The Jungle ABC, Observer.com, 23 March 1998
- McCall, Patricia (20 March 1983). "Fashion Preview: Paris". The New York Times: 60. Retrieved 15 December 2021.
As for Emanuel Ungaro, nothing is quite so seductive as a skinny sheath tucked under a big-shouldered jacket or coat. 'It is this contrast of wide on narrow that I love,' he says.
- Horyn, Cathy (20 August 2010). "The Fall of the House of Ungaro". The New York Times. Retrieved 27 November 2021.
[M]any people know Ungaro because it was prominent in the '80s and '90s. If you were a snooty boutique owner in Dallas or New York and you couldn't sell an Ungaro dress with the drapery pouring over the breasts and thighs like butter on a hot ear of corn, you had no business being in retail. Men loved a woman in an Ungaro dress, it was said, because the style and the vibrant colors made them imagine what she had on underneath in a way that an Armani pantsuit did not and, further, what they might do with this thought.
- Cunningham, Bill (1 September 1989). "To the Future Through the Past". Details: 219.
...Ungaro was continuing to drape dresses and cut suits, giving his designs an international influence greater than any other Paris couturier.
- Morris, Bernadine (27 March 1985). "Paris Pick-Me-Up from Valentino". The New York Times: C1. Retrieved 4 December 2021.
[A]t the Emanuel Ungaro show...models sauntered down the runway in short silk satin dresses, in myriad prints, all draped to the body. They were seductive dresses, a bit too suggestive...
- Cunningham, Bill (1 March 1988). "Fashionating Rhythm". Details: 120.
Emanuel Ungaro['s]...designs display a burning desire for draping the body in search of perfect beauty.
- Mulvagh, Jane (1988). "1985". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 394. ISBN 0-670-80172-0.
Ungaro tailored and swathed prints and Paisleys into baroque suits and dresses.
- "Giles at Ungaro – It's official!". Grazia. Arnoldo Mondadori Editore. 26 April 2010. Retrieved 26 April 2010.
- Wilson, Eric (5 October 2009). "A Controversial Debut for Lohan in Paris". The New York Times. Retrieved 1 May 2010.
- Lindsay Lohan ends collaboration with fashion designer Emanuel Ungaro, Telegraph.co.uk, 9 March 2010
- James Covert, Emanuel Ungaro abandons boutique; eyes buyer, Nypost.com, 25 March 2010
- Alexander, Hilary (21 April 2010). "Giles Deacon for Emanuel Ungaro?". The Daily Telegraph. UK. Archived from the original on 24 April 2010. Retrieved 25 April 2010.
- Suzy Menkes, Ungaro's Latest Revival, Nytimes.com, 24 September 2012
- Sarah Karmali, Emanuel Ungaro Names Creative Director, Vogue.co.uk, 24 September 2012
- Sophie Charara, Emanuel Ungaro smart ring, powered by Omate, takes care of VIP alerts, Wareable.com, 11 August 2015
- Joelle Diderich, Emanuel Ungaro Switches Designer, Takes Production In-house, Wwd.com, 6 March 2017
- Susan Heller Anderson, Chronicle, Nytimes.com, 26 June 1990
- "Emanuel Ungaro: French fashion designer Emanuel dies aged 86". 22 December 2019 – via www.bbc.com.
Further reading
- Morris, Bernadine. "Review/Design:When America Stole The Runway From Paris Couture".The New York Times 10 Sep 1993.
