Felicity Colman

Felicity Colman is a Creative Media Arts theorist. She is Professor of Film and Media Arts. She is the Associate Dean of Research for the London College of Fashion (from 2019) at University of the Arts London[1]

Colman was the Head of The Graduate Research School (2017-2019) at Kingston University, London, United Kingdom.[2] Colman held a Professorial Chair in Media at Manchester School of Art, Manchester, United Kingdom.[3] where she held various positions in art and media at the Manchester School of Art from 2009-2017. Prior to this Colman held a number of positions at University of Melbourne, Melbourne, Australia.[4]

Colman is Honorary Professor at the School of Art, College of Design and Social Context RMIT, Melbourne, Australia (2019-2023).[5] From 2020 Colman is Visiting Research Fellow, Global Centre for Humanities in Technology [GCTH], Kyung Hee University, South Korea.[6] In 2005 Colman was Visiting Associate Professor in Screen Media, Screen Theory Department, The University of Waikato, New Zealand. In 2001, Colman was Smithsonian Research Scholar, at the National Gallery of Art Washington DC, USA.

Colman's specialities include visual art, culture, and screen media forms, and creative philosophy. Her research focuses on the models, modalities, and methodologies for art, cultural, and screen based media analysis and feminist new materialist genealogies. She is most known for her writing on "Digital Feminicity".,[7] and her writing on "Modality".</ref>Colman, Felicity (17 February 2020). "Felicity Colman "Feminising politics: notes on material and temporal feminist modal logics in action" in Matter: Journal of New Materialist Research". Matter: Journal of New Materialist Research. 1 (1). doi:10.1344/jnmr.v1i1.29895. S2CID 219675816. Retrieved 30 October 2021.</ref>

Academic work

  • Colman, F., Bühlmann, V., O’Donnell, A. and van der Tuin, I. (2018). Ethics of Coding: A Report on the Algorithmic Condition [EoC]. H2020-EU.2.1.1. – INDUSTRIAL LEADERSHIP – Leadership in enabling and industrial technologies – Information and Communication Technologies. Brussels: European Commission. 732407, pp. 1–54.
  • Bühlmann, V, Colman, F., Van der Tuin, I. 2017. Editorial “Introduction to New Materialist Genealogies: New Materialisms, Novel Mentalities, Quantum Literacy” The Minnesota Review. [Duke Journal] January, pp. 47–58.
  • Colman, F.J. 2017. “Preface [Affectology: On Desiring an Affect of One’s Own]” in Angerer, Marie-Luise. Ecology of affect: intensive milieus and contingent encounters.  Lüneburg: Meson Press: 7-13.
  • Colman, F.J. and Stapleton, E. 2016 “Screening Feminisms: Teaching Sex and Gender,” in Teaching with Feminist Politics of Responsibility in Times of Crisis, Beatriz Revelles-Benavente and Ana M. González Ramos (eds.), London & New York: Routledge, pp. 99–116.
  • Colman, F.J. 2014. “Digital Feminicity: Predication and Measurement, Informatics and Images” in Artnodes: e-Journal on Art, Science, and Technology. (14) Special issue on New Feminist Materialism. ISSN 1695-5951 [Spanish and English ] DOI: http://dx.doi.org/10.7238/a.v0i14.2408
  • Colman, Felicity J. 2010. “Affective Self: Feminist Thinking and Feminist actions”. Contemporary French and Francophone Studies: Sites (Volume 14: 5, December): 543-552. Routledge ISSN 1740-9292.

References

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