Gavriil Skorodumov

He was born into a family of hereditary craftsmen. In 1764, he was admitted to the Imperial Academy of Arts, where he studied painting and engraving with Grigoriy Srebrenitsky, Johann Stenglin and Anton Losenko. In 1772, he graduated with a large gold medal for his engraving, "Lot with His Daughters", after a painting by Louis-Jean-François Lagrenée. The medal came with a grant for travelling abroad.

The following year, he and Mikhail Belsky, another grant recipient, went to London together. He studied in the workshop of the famous engraver, Francesco Bartolozzi, where he learned engraving techniques that were not in use in Russia (stippling and the "crayon manner"). Before he had finished his studies, he was already taking orders from local publishers, reproducing works by Joshua Reynolds and Benjamin West. He established his fame with 24 engravings based on works by Angelica Kaufman, an especially fashionable artist.

Although he was supposed to leave England in 1776, he continued to put off his return to Russia for as long as possible. He finally yielded in 1782, when he heard that Empress Catherine admired his work and would "give him a thousand two hundred rubles and a thousand for the trip, if only he promised not to be lazy".[4] Upon his arrival in St. Petersburg, she named him Court Engraver and caretaker of engravings at the Hermitage Museum, with a salary of 1,200 Rubles, an apartment worth 600 Rubles, and his own personal printer.

Things did not go as well as planned, however. Within a few months of his arrival, the Empress was apparently tired of his constant complaints and hinted that he was free to leave if he wished. In 1783, she noted that nobody had seen any of his works. In the Spring of 1784, she suspended his salary until he had something to show for it.[4] Nobody knows for certain why his productivity declined, although drinking has been suggested as a likely cause. In 1789, Ivan Krylov published a satire in his magazine, Почта духов, in which one of the characters, an artist named Trudolyubov (Hardworking), laments that he misses England, was better paid there, and is so depressed that he became a drunkard.[5]

During the last few years of his life, he managed to produce some engravings and portrait miniatures. In 1791, he began work on an album, with twelve scenes of St. Petersburg, that was never completed. On the day of his death, he was the guest of a merchant named Strunnikov. After dinner, he laid down on some damp grass to take a nap. By evening, he had become deranged, and was dead before morning, aged only thirty-seven.[6]

• 
  A Sultana, after Philippe Jacques de Loutherbourg, 1777[7]
• 
  Reflections on Clarissa Harlowe, after Joshua Reynolds, 1775
• 
  Romeo Parting with Juliet, after Benjamin West, 1775
• 
  Cleopatra, after Angelica Kauffman, 1776
• 
  Justice, after Angelica Kauffman, 1777
• 
  Dance of the Graces, after Angelica Kauffman, 1778
• 
  Sacrifice to Ceres, after Angelica Kauffman, 1778
• 
  Cupid Trying to Get Back His Arrows, after Angelica Kauffman, 1777
• 
  Sacrifice to Cupid, after Angelica Kauffman, 1778
• 
  Abelard and Eloise Surprised by Fulbert, after Angelica Kauffman, 1778
• 
  The Parting of Abelard and Eloise, after Angelica Kauffman, 1780
• 
  Gamblers, after Dirck van Baburen, 1778
• 
  Susanna and the Elders, after Guido Reni, 1779
• 
  Diana and Actaeon, after Carlo Maratta, 1781

General studies

• Komelova, G. N. (1974). "Русский гравёр Гавриил Иванович Скородумов. 1755–1792". Труды Государственного Эрмитажа (in Russian). Leningrad: Aurora. 15: 36–57.
• Mishina, E. A. (2003). Гаврила Скородумов [Gabriel Skorodoomoff] (catalogue raisonné) (in Russian). Saint Petersburg: Ars. ISBN 5-900351-44-0.

Additional studies

• Alexander, David (1992). "Kauffman and the Print Market in Eighteenth-Century England". In Roworth, Wendy Wassyng (ed.). Angelica Kauffman: A Continental Artist in Georgian England. London: Reaktion Books. pp. 141–178. ISBN 0-948462-41-8. OCLC 1145778286 – via the Internet Archive.
• Cross, Anthony Glenn (1980). "By the Banks of the Thames": Russians in Eighteenth-Century Britain. Newtonville, Mass.: Oriental Research Partners. ISBN 0-89250-085-9. OCLC 1148189047 – via the Internet Archive.

Reference books

• Bénézit, Emmanuel (2006) [first published in French in 1911–1923]. Benezit Dictionary of Artists. 12. Paris: Gründ. pp. 882. ISBN 2-7000-3082-6 – via the Internet Archive.
• Komelova, Galina (1996). "Skorodumov, Gavriil (Ivanovich)". In Turner, Jane (ed.). The Dictionary of Art. 28. New York: Grove's Dictionaries. p. 823. ISBN 1-884446-00-0. OCLC 1033666104 – via the Internet Archive.
• Kondakov, S. N. (1915). Юбилейный справочник Императорской Академии художеств. 1764-1914 (in Russian). 2. R. Golike and A. Vilborg. p. 439.

Media related to Gavriil Skorodumov at Wikimedia Commons