Marianne Vitale
Marianne Vitale is a contemporary artist living and working in New York City.
Marianne Vitale | |
|---|---|
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| Born | 1973 |
| Nationality | American |
| Education | The School of Visual Arts |
| Known for | Sculpture |
Career
Vitale graduated from The School of Visual Arts in 1996 with a BFA in Film.
Exhibitions
For the 2010 Whitney Biennial, Vitale exhibited the video Patron. Peter Schjeldahl of The New Yorker wrote: "The most prepossessing is an energetic performance by...Vitale, who...harangues 'patrons' with colorfully worded...insults and commands. The provoked notion of contemporary art as an arena of sadomasochism is just cogent enough to chill, a trifle."[1]
Vitale's ongoing sculptural series of Burned Bridges has been part of several solo gallery and museum exhibitions including What I Need to Do Is Lighten The Fuck Up About A Lot of Shit at Zach Feuer; Bright Dark Future at Le Confort Moderne; If You Expect To Rate as a Gentleman, Do Not Expectorate On the Floor at Unge Kunstneres Samfund; Lost Marbles at Le Marbrerie, Montreuil; and Huey, Dewey & Louie at Kunstraum Innsbruck.
Her solo show, Diamond Crossing at Zach Feuer (2013), was applauded by the New York Times' Ken Johnson as “approaching a near-perfect 10…occupy[ing] the space with awesome implacability…[and] art-historical sophistication.”[2]
For the Performa '13 Biennial, Vitale was commissioned to produce The Missing Book of Spurs, a performance set in a "saloon/[brothel]/weather station." [3]
Other venues that have exhibited Vitale's work include Venus Over Los Angeles, The Contemporary Austin, The Journal Gallery, Karma, Various Small Fires, the Elaine de Kooning House, the Rubell Family Collection, Kling & Bang, White Columns, Brooklyn Museum, Contemporary Fine Arts Berlin, Mosquito Coast Factory and Contemporary Art Centre Vilnius.
From April 2014 through March 2015, Vitale's outdoor sculptural exhibition Common Crossings was presented on the High Line in New York City, curated by Cecilia Alemani.[4]
In 2019 the city of Savenay, France commissioned Vitale to create Worthies, a public, permanent installation. On this occasion, a book entitled The World, the Flesh and the Devil was published by American Art Catalogues.
References
External links
- Marianne Vitale
- Ken Johnson, "Marianne Vitale: ‘Diamond Crossing’" New York Times, June 6, 2013
- Zoë Lescaze, "Wild Wild West: Marianne Vitale’s ‘The Missing Book of Spurs’ Hits Performa" New York Observer, November 11, 2013
- M.H. Miller, "Marianne Vitale Has Been Burning Bridges (Also: Riddling Sculptures With Bullet Holes)" New York Observer, January 17, 2012
- Marianne Vitale, "Things on and Above My Desk", Art in America, 2012
- Holland Cotter, "At a Biennial on a Budget, Tweaking and Provoking" New York Times, February 10, 2010
- Tim Murphy, "After Hours | Wild West Zombies Walk Into a Burlesque Show" New York Times T Magazine, November 22, 2013
- Eileen Kinsella, "Imi Knoebel, Marianne Vitale, and Carmen Herrera Among Robust Sales at Armory Show" March 10, 2014
