Patrick Lichty

Patrick Lichty is a conceptual media artist, activist, curator, and educator. Lichty is currently a Creative Digital Media professor at Winona State University.[1]

Patrick Lichty
BornOctober 5 1962
Cuyahoga Falls Ohio
NationalityAmerican
EducationMFA Computer Art, BS Electronic Engneerng Technology
Alma materBowling Green State University (2006), The Univerasity of Akron (1990)
Known forRTMark/The Yes Men, Second Front, Manifest.AR, Techspressionism, Virtual Fluxus
Spouse(s)Negin Ehtesabian

Artwork

RTMark/The Yes Men

Lichty was part of the activist collective RTMark (pronounced "art-mark").[2] Lichty was also member of RTMark's successor group The Yes Men, and is featured in the collective's first documentary.[2]

Digital Tapestry

He is a creator of digital tapestries, especially Jacquard weaving, and is noted alongside Chuck Close as a seminal contemporary artist in this genre.[2][3] In December 2014, he had a solo exhibition of his tapestry and robotic drawing work called "Sensible Concepts: Mediation as a Way of Being".[4][5]

Virtual Reality, Second Life, Second Front

He is a co-founder of Second Front, a pioneering Second Life performance art group.[2][6]

Augmented Reality, Manifest.AR, Shared Universe

Lichty was an associate member of the first Augmented Reality art collective, Manifest.Ar.[7]

Techspressionism

He is an originating member of the online community techspressionism.com, and was co-curator with Colin Goldberg of their first Annual exhibition in 2021 [8]

New Media Curation

Lichty is a noted New Media art curator, speaking at venues such as the Tate Modern,[9] and is published in the book, New Media in the White Cube and Beyond: Curatorial Models for Digital Art, edited by Whitney Museum of American Art digital curator, Christiane Paul.

In December 2021, Lichty curated Through the Mesh: Media, Borders, and Firewalls at the NeMe Art Center in Limassol, Cyprus [10]

Residencies, recognition, and awards
  • Summer School: Curatorial Masterclass (with CRUMB) (2009) [11]
  • Virginia Center for the Creative Arts Residency (2013)
  • Herb Alpert Foundation/CalArts Fellowship (Film/Video - RTMark) 2002
  • Herb Alpert Foundation/CalArts Residency (Film/Video - RTMark) 2002
  • Eyebeam Artist in Residence 2009

Collections/Galleries

Lichty's work is in collections of The Walker Art Center, Minneapolis, MN[12] and the Smithsonian.[13] He also works as a curator[14] and critic.[15][16]

Bibliography
  • Lichty, Patrick (2008), Paul, Christiane (ed.), "Reconfiguring Curation: Non-institutional New Media Curating and the Politics of Cultural Production", New Media in the White Cube and Beyond: Curatorial Models for Digital Art, University of California, pp. 163–190, ISBN 978-0520243972
  • Lichty, Patrick (2008), Paul, Christiane (ed.), "(re)distributions: PDA, Information Appliance, and Nomadic Arts as Cultural Intervention", New Media in the White Cube and Beyond: Curatorial Models for Digital Art, University of California, pp. 207–219, ISBN 978-0520243972
  • Lichty, Patrick (2013). Variant Analyses: Interrogations of New Media Art and Culture. Institute of Network Cultures.
  • Lichty, Patrick (2015), Miura, Gianluca (ed.), "On Virtual Fluxus", Analyzing Art, Culture, and Design in the Digital Age, Cham: IGI, pp. 39–50, doi:10.4018/978-1-4666-8679-3, ISBN 978-1466686793
  • Lichty, Patrick (2018). new memory rescue. Abstract Editions. ISBN 978-1548371951.
  • Lichty, Patrick (2014), Geroimenko, Vladimir (ed.), "The Aesthetics of Liminality: Augmentation as an Art Form", Augmented Reality Art, Cham: Springer International Publishing, pp. 99–125, ISBN 978-3-030-42156-4
  • Lichty, Patrick (2020), Geroimenko, Vladimir (ed.), "Making Inside the Augment: Augmented Reality and Art/Design Education", Augmented Reality in Education, Cham: Springer International Publishing, pp. 261–278, doi:10.1007/978-3-319-06203-7_5, ISBN 978-3-319-06202-0
  • Lichty, Patrick (February 1, 2014). The Translation of Art in Virtual Worlds. Oxford University Press. doi:10.1093/oxfordhb/9780199826162.013.027.

References
  1. [manifest-ar.art/ "Winona State Faculty"] Check |url= value (help). Retrieved December 2, 2021.
  2. Baumgärtel, Tilman (March 4, 2015). "Tapestries? - Patrick Lichty Interviewed by Tilman Baumgärtel". Furtherfield.
  3. Thomas, Lindsay (January 25, 2013). "Interview with Patrick Lichty". 4Humanities. Retrieved September 14, 2021.
  4. "Patrick Lichty, Sensible Concepts". clocktower.org.
  5. "Sensible Concepts: Mediation as a Way of Being, By Patrick Lichty". Rhizome. December 10, 2014.
  6. "Second Front Member Man Michinaga". www.secondfront.org. Retrieved September 14, 2021.
  7. [manifest-ar.art/ "Manifest AR Manifesto"] Check |url= value (help). Retrieved December 2, 2021.
  8. "Techspressionism History". Retrieved December 2, 2021.
  9. "Intermedia Art New Media, Sound and Performance". Retrieved December 2, 2021.
  10. "Through the Mesh: Media, Borders, and Firewalls". Retrieved December 2, 2021.
  11. "Summer School: Curatorial Masterclass (with CRUMB)". www.eyebeam.org. Retrieved December 2, 2021.
  12. "Grasping at Bits: Art and Intellectual Control in the Digital Age – Collections". Walker Art Center. Archived from the original on August 19, 2016.
  13. Helios Photography Online, SPRAWL: American Landscape in Translation
  14. Lichty, Patrick (2003). "Reconfiguring the Museum: Electronic Media and Emergent Curatorial Models". www.intelligentagent.com.
  15. Lichty, Patrick Martin (May 19, 2016). "A Rabbit's Tale From The Eyes of Iranian Artist Farideh Lashai". harpersbazaararabia.com.
  16. Lichty, Patrick Martin (January 12, 2018). "New York As Archetype: Inventing Downtown At NYU Abu Dhabi". harpersbazaararabia.com.
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