Liturgical Movement

The Liturgical Movement began as a 19th-century movement of scholarship for the reform of worship within the Roman Catholic Church.

Development

At almost the same time, in Germany Abbot Ildefons Herwegen of Maria Laach convened a liturgical conference in Holy Week 1914 for lay people. Herwegen thereafter promoted research which resulted in a series of publications for clergy and lay people during and after World War I. One of the foremost German scholars was Odo Casel. Having begun by studying the Middle Ages, Casel looked at the origins of Christian liturgy in pagan cultic acts, understanding liturgy as a profound universal human act as well as a religious one. In his Ecclesia Orans (The Praying Church) (1918), Casel studied and interpreted the pagan mysteries of ancient Greece and Rome, discussing similarities and differences between them and the Christian mysteries. His conclusions were studied in various places, notably at Klosterneuburg in Austria, where the Augustinian canon Pius Parsch applied the principles in his church of St. Gertrude, which he took over in 1919. With laymen he worked out the relevance of the Bible to liturgy. Similar experiments were to take place in Leipzig during the Second World War.[1]

Second Vatican Council

The Latin Tridentine Mass remained the standard eucharistic liturgy in the Roman Catholic Church in the West until the Second Vatican Council. Josef Andreas Jungmann had considerable influence on the Council through his Mass of the Roman Rite: Its Origins and Development and his presence as a peritus, as well as on the Commission that would implement the liturgical changes. In 1963, the Council adopted, by an overwhelming majority, the Constitution On Sacred Liturgy, "Sacrosanctum Concilium". For the first time the vernacular liturgy was permitted, even if to a minor extent in relation to those practiced afterward by national churches. The influence of Hippolytus was evident in the form of Eucharistic Prayers. Accompanying this was the encouragement for liturgies to express local culture (subject to approval by the Holy See). The close connection between more intelligible participation in the Eucharistic celebration and carrying one's faith "into the marketplace", exhibiting commitment to social justice in one's life, has been observed.[2]

Effect on church architecture

Our Lady of Fatima, Catholic Church, 1960

"To the architect or priest who should ask: "How can I build a liturgical church?" I should think any liturgist would answer: "There is no standard liturgical blueprint, but if you take some fundamental principles constantly into account, by this very fact your church will be liturgically functionally efficient, and will be redolent of a sacred nature in the best liturgical tradition." Liturgical Principles for Church Architecture, Placid Murray, The Furrow, Vol. 13, No. 9 (Sep., 1962), pp. 499-515

The New Churches Research Group was founded in 1957 in the UK to promote "a modern idiom appropriate to the ideas of the Liturgical Movement". The Liturgical movement was influential in church design in France, Belgium Germany, Switzerland and the UK - where it was introduced in the 1950s.[3]

The Second Vatican Council saw the acceptance of many of the movement's ideas, resulting in a radical rethinking of design, expressing 'noble simplicity rather than sumptuous display'.[4] The turning points were the publication of Peter Hammond’s Liturgy and Architecture, a critique of modern English church design, and the publication of Frederick Gibberd’s design for the completion of Liverpool Metropolitan Cathedral.[5]

Reordering of churches

An example of reordering is St Joseph's church in Retford, which was designed by Ernest Bower Norris in modern Romanesque design, incorporating Art Deco elements. It opened in 1959 and in 1968 was re-ordered by Goalen to comply with the recommendations of Vatican II. During the re-order, Goalen commissioned a large Christus Resurrexit for the sanctuary wall by Steven Sykes.

Building of new churches

The Catholic church became a major patron of modern architecture and art during the 1950s and 60s in the UK.[6] A group of modernist architects including Gillespie, Kidd & Coia, Gerard Goalen, Francis Pollen, Desmond Williams and Austin Winkley utilised contemporary design and construction methods to deliver the ‘noble simplicity’ instructed by Vatican I, literally to express the values of the Liturgical Movement in buildings.[7] Desmond Williams noted that his St Mary Dunstable church was: "circular, with the object being to bring as many of the congregation near the altar, and proved very popular in attracting worshippers."[8]

Status of Modernist churches

In 2013, the National Churches Trust announced its 10 most influential modern church buildings in the UK. Four Roman Catholic churches were selected:[9]

Return to traditional layouts

Michael DeSanctis, a church building consultant and theology professor, has noted that in the US there has been a return to more traditional church layouts as a result of Pope Benedict re-emphasising clerical distinctions. An example of this is St. Jude the Apostle in Erie, which is a modernist church with a distinctive summit cross. Elaborate candles now mark off the sanctuary from the pews and the altar area has been transformed by marble to set it off. [10] The design of St. John Neumann Church in Farragut, Tenn., (2008), was inspired by the Romanesque churches of Normandy. It is designed with the traditional cruciform plan — which was largely absent from liturgical designs since Vatican II because of its fracturing effect on the assembly. There is also strict delineation of precincts for lay and clerical function in a return to formality.[11]

Anglican Communion

The English Missal, published first in 1912, was a conflation of the Eucharistic rite in the 1662 Book of Common Prayer and the Latin prayers of the Roman Missal, including the rubrics indicating the posture and manual acts. It was a recognition of practices which had been widespread for many years. The changes were the subject of controversy, opposition, hostility, and legal action.[12]

The attempt to revise the Book of Common Prayer in 1927 and 1928 was rooted in the past, owing little to the researches or practices of continental scholars.[13] In the United States, William Palmer Ladd, who had visited a number of the European centers of Catholic scholarship and reform, introduced many of the ideas of the movement at the Berkeley Divinity School in New Haven. Ladd wrote a series of magazine columns (published as a book after his death titled Prayer Book Interleaves) that introduced much of the newer agenda to the Episcopal Church. While this American version of the movement had broad church roots, in England it was a new generation of scholars and pastors associated with the Catholic revival who led the next phase of discussion. With the publication in 1935 of Gabriel Hebert's Liturgy and Society, a debate in England began about the relationship between worship and the world as well as about the importance of eucharistic celebration and participation. Hebert, a Kelham Father, interpreted the liturgy on wider social principles, rejecting, for example the idea of the eucharistic fast as being impractical. Its members wished for more frequent communion, not merely attendance at Mass; they wanted to relate the eucharist to the world of ordinary life. Through its influence, the offertory was restored, though not without protracted controversy.[13][14][15]

Churches of the Lutheran tradition

The Evangelical Lutheran Church in America, the largest Lutheran body in the United States, has also revived a greater appreciation of the liturgy and its ancient origins. Its clergy and congregations have adopted many traditional liturgical symbols, such as the sign of the cross, incense, and the full chasuble, which have become more common than in years past. While some freedom in style is exercised by individual congregations, the overall style of the aspects of liturgical worship – including vestments, altar adornments, and a general return of many formal practices – has become closer to the styles of the Roman Catholic and Anglican traditions.[16]

Influence and criticism

Horton M. Davies, a professor at Princeton University, states that "What is fascinating about (the liturgical) movement is that it has enabled Protestant churches to recover in part the Catholic liturgical heritage, while the Catholics seem to have appropriated the Protestant valuation of preaching, of shared worship in the vernacular tongue, and the importance of laity as the people of God."[17]

See also

References

Inline citations

  1. Ernest Benjamin Koenker, The Liturgical Renaissance in the Roman Catholic Church (1954), p. 10
  2. "Bringing Liturgy to Life: Does the new Missal connect faith to action?". America Magazine. 2011-02-07. Retrieved 2017-04-18.
  3. "CHURCH OF ST MARGARET OF SCOTLAND". Historic England.
  4. "CHURCH OF ST MARGARET OF SCOTLAND". Historic England.
  5. The Architectural History Practice Limited for English Heritage (July 2014). "Twentieth-Century Roman Catholic Church Architecture in England, A Characterisation Study" (PDF).
  6. RW Proctor (2014). Building the Modern Church: Roman Catholic Church Architecture in Britain, 1955 to 1975.
  7. "19th- and 20th-Century Roman Catholic Churches - Introductions to Heritage Assets". Historic England.
  8. "Roman Catholic Church of St Mary, Dunstable designed by Desmond Williams OBE is listed at Grade II". EWA.
  9. "The Best Modern Churches of the UK". Pray Tell. 7 November 2013.
  10. Peter Feuerherd (13 April 2017). "New clericalism is imposing old ways on modern church architecture". National Catholic Reporter.
  11. Michael E. DeSanctis (28 May 2012). "Upon This Foundation: Are new church designs taking us backward?". America, The Jesuit Review.
  12. Chadwick, Owen The Victorian Church; vol. 2; Carpenter, S. C. Church and People (SPCK 1933); pp.212ff.
  13. Gray, Donald, Earth and Altar, (Canterbury Press 1986); p. 196
  14. Buchanan, Colin. The End of the Offertory (Grove Books)
  15. Arguile, Roger. The Offering of the People (Jubilee, 1989)
  16. Archived June 4, 2009, at the Wayback Machine
  17. O.C. Edwards, Jr. A History of Preaching. Abingdon Press. p. 746. ISBN 9780687038640. In the subtitle for the fifth volume of his history of Worship and Theology in England, Horton Davies refers to the twentieth century as the "ecumenical century." Nowhere is that more obvious than in attitudes toward Christian worship. As Davies said: "What is fascinating about (the liturgical) movement is that it has enabled Protestant churches to recover in part the Catholic liturgical heritage, while the Catholics seem to have appropriated the Protestant valuation of preaching, of shared worship in the vernacular tongue, and the importance of laity as the people of God."

General references

  • A Dictionary of Liturgy and Worship, J.G. Davies (SCM)
  • Earth and Altar Donald Gray (Canterbury Press 1986)
  • Liturgy and Society A.G. Hebert (Faber 1935)
  • The Early Liturgy, Josef Jungmann (DLT 1960)
  • A Short History of the Western Liturgy, Theodor Klauser (trans. J. Halliburton) (1969)
  • Giewald, A. & Thomann, G. The Lutheran High Church Movement in Germany and its liturgical work: an introduction, Lulu.com, 2011. ISBN 978-1-4709-7378-0

Further reading

  • Adams, William Seth. Moving the Furniture: Liturgical Theory, Practice, and Environment. New York: Church Publishing, 1999. vii, 172 p. N.B.: The author writes from an Anglican (Protestant Episcopal Church) standpoint. ISBN 0-89869-316-0
  • Buchanan, Colin O., ed. Modern Anglican Liturgies, 1958-1968. London: Oxford University Press, 1968. xix, 388 p., ill. with 3 tables (2 of them on fold. charts). N.B.: Includes various internationally selected liturgies with comments about them by the various contributors.
  • Marshall, Michael. Renewal in Worship. Rev. American ed. Wilton, Conn.: Morehouse-Barlow Co., 1985. xi, 142 p. ISBN 978-0-8192-1374-7
  • Reid, Dom Alcuin. The Organic Development of the Liturgy: Ignatius Press ISBN 978-1586171063
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