Martyrs (2008 film)

In 1971, a young girl named Lucie Jurin escapes from a disused slaughterhouse where she's been imprisoned and tortured for more than a year. The perpetrators and their motivations remain mysterious. Lucie is placed in an orphanage, where she's befriended by a young girl named Anna Assaoui, who quickly discovers that Lucie believes that she's constantly being terrorized by a ghoulish creature—a disfigured, emaciated woman. Even so, Anna comforts Lucie every time she has a nightmare.

Fifteen years later, Lucie bursts into the home of an apparently normal family, the Belfonds—Gabrielle, her husband, and their children Antoine and Marie—and kills them all with a shotgun. Elsewhere, Anna waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. Upon arriving at the house, Anna discovers that Gabrielle is still alive and tries to help her escape, but Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred woman, but Anna sees only Lucie hurting herself; the woman is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Realizing that her insanity will never leave her, Lucie commits suicide by slashing her throat with a razor blade.[3]

The next day Anna is still at the family's house. She telephones her estranged mother; their conversation implies Anna's parents abused her as a child. Hearing noises, Anna discovers a hidden entrance in the living room that leads to a secret underground chamber. Imprisoned there is a horribly tortured young woman named Sarah; this confirms Lucie's assertions about the family's role in her abuse. Anna brings the brutalized Sarah upstairs and attends to her; later, as Anna is mourning the loss of Lucie, she finds Sarah mutilating her own arm with a knife. As Anna attempts to keep Sarah from further self-injury, Sarah is shot in the head by one of a group of people who arrive unexpectedly. Captured and handcuffed, Anna meets their leader, an elderly lady referred to as Mademoiselle, who explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments involve the systematic torture of young women whose suffering, they believe, will produce transcendental insight into the world beyond this one. Mademoiselle also believes that the world is divided into victims (people mentally broken by torture, as Lucie and Sarah were) and martyrs (people able to endure torture in its most extreme forms).

Anna becomes the group's latest subject. After a period of brutal beating and degradation, she hallucinates a conversation with Lucie and is later told that she's progressed further than any other test subject, reaching the "final stage." She is flayed alive and survives the procedure, entering a "euphoric" state likened to transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.

Members of the society gather at the house to learn of the insights Anna shared with Mademoiselle. As Mademoiselle and her assistant wait for the others to arrive, the assistant asks Mademoiselle if what Anna said to her was clear. Mademoiselle replies "yes" and asks him if he can imagine what comes after death. When he says no, Mademoiselle instructs him to "keep doubting," then produces a handgun from her purse and kills herself with it.

The film ends with a shot of Anna on table, in a catatonic state.

The director and the lead actresses at Ryerson Theatre to promote the film

Pascal Laugier said that "the film was rejected by all the big French studios, by a lot of actresses, too. […] The film was really supported by Canal+, the only television channel in France that still finances some unusual projects". He also comments that the main difficulty other than the technical issues such as special effects was to keep the actresses crying all the time, and that was too demanding.[4]

The film was categorized as a new example of new era French horror films akin to Inside with regard to the level of violence it depicts.[4][5][6] According to the review-aggregation website Rotten Tomatoes, 64% of 39 critics have given the film a positive review, and an average rating of 6.10 out of 10. The website's critical consensus states, "A real polarising movie, this Gallic torture-porn is graphic, brutal, nasty and gruesome and not to everyone's taste."[7] Todd Brown at Twitch called it "without a doubt the single most divisive film to screen in the Cannes Marché Du Film this year,"[8] while Ryan Rotten at shocktillyoudrop.com said that the film "is the new yard stick against which all forms of extreme genre films should be measured against."[4]

The French Commission de classification des œuvres cinématographiques rated the film 18+ (unsuitable for children under 18 or forbidden in cinemas for persons under 18), which the producers of the film appealed.[9][10] As a last resort, the French Society of Film Directors (SRF) asked the French ministry of culture to examine the decision, remarking that "this is the first time a French genre film has been threatened with such a rating". The Union of Film Journalists adopted the same position as the SRF, claiming censorship.[11] The Minister of Culture Christine Albanel eventually asked the Commission of Classification to change its rating, which was done in July 2008. Martyrs was finally rated 16+.[12]

In 2008 original director Pascal Laugier confirmed in an interview that he was in the middle of negotiating the rights for Martyrs to be remade in the United States.[13] It was to be directed by Daniel Stamm, director of The Last Exorcism, and written by Mark L. Smith, writer of Vacancy as well as from the producers of Twilight. The producer of the film said he would like Twilight actress Kristen Stewart for the film,[14] though her presence in the film was later denied by Stamm.[15][16] Stamm said "[The original film] is very nihilistic. The American approach [that I'm looking at] would go through all that darkness but then give a glimmer of hope. You don't have to shoot yourself when it's over."[15]

In a 2014 interview, Stamm revealed he had left the project after the budget had been reduced, stating, "I think they're now back to making the movie for like $1 million, really low budget, which I think you could almost do, it's just there's this philosophy in Hollywood that you can never go back budget-wise. As a filmmaker you are judged by that. And then there's also this concept I was unaware of called plateauing, where if you're a filmmaker who makes two movies in the same budget bracket, that becomes your thing. You are the guy for the $3 million movie, and then that's all you do. And so my agents wouldn't let me do the $1 million movie, because then that's it for you, you'll supposedly never get that bigger budget".[17]

In February 2015, the new production companies Blumhouse Productions and The Safran Company announced that the film was already filmed and that the Goetz Brothers, Michael and Kevin, had directed.[18] In the leads stars Bailey Noble, Troian Bellisario, Kate Burton and Blake Robbins.[19] It was panned by critics, and currently has a 9% rating on Rotten Tomatoes[20] and a 22/100 on Metacritic, indicating "overwhelming dislike".[21]

• List of films featuring home invasions
• New French Extremity

Wikimedia Commons has media related to Martyrs (film).

• Martyrs at IMDb
• Martyrs at AllMovie
• Martyrs at Rotten Tomatoes
• Official Website
• Martyrs vs Censorship, a Frédéric Ambroisine documentary
• Interview with Pascal Laugier about Martyrs • By Michael Mann for ion magazine
• Interview with Pascal Laugier about Martyrs at www.reviewgraveyard.com